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Romero returned to the zombie genre in 1978 with Dawn of the Dead. The Crazies, dealing with a bio spill that induces an epidemic of homicidal madness, and the critically acclaimed arthouse success Martin (1978), a film that deals with the vampire myth, were the two well-known films from this period. The three films that Romero created that followed Night of the Living Dead: There's Always Vanilla (1971), Jack's Wife / Season of the Witch (1972) and The Crazies (1973) were not as well received as Night of the Living Dead or some of his later work.
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That made me feel that, gee, maybe I could figure this medium out. He was doing all his tricks in-camera, and they were sort of obvious.
George a. romero presents: road of the dead movie#
It was really a movie for me, and it gave me an early appreciation for the power of visual media-the fact that you could experiment with it. It was the filmmaking, the fantasy, the fact that it was a fantasy and it had a few frightening, sort of bizarre things in it. Elder in an interview for The Film That Changed My Life, was the British film, The Tales of Hoffmann (1951), from the Powell and Pressburger team. Īmong the inspiration for Romero's filmmaking, as told to Robert K. Russo, the movie became a cult classic and a defining moment for modern horror cinema. Directed by Romero and co-written with John A. This is the production company that produced Night of the Living Dead (1968). Russo, Romero formed Image Ten Productions in the late 1960s. With nine friends, including screenwriter John A. One of his early commercial films was a segment for Mister Rogers' Neighborhood in which Fred Rogers underwent a tonsillectomy.
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George a. romero presents: road of the dead tv#
Career 1960s Īfter graduating from college in 1960, Romero began his career shooting short films and TV commercials. Romero attended Carnegie Mellon University in Pittsburgh. He was one of only two people who repeatedly rented the opera-based film The Tales of Hoffmann the other was future director Martin Scorsese. Raised in the Bronx, he would frequently ride the subway into Manhattan to rent film reels to view at his house. His father has been reported as being born in A Coruña, with his family coming from the Galician town of Neda, although Romero once described his father as of Castilian descent. His mother was Lithuanian, and his father moved from Spain to Cuba as a child. Romero was born in the New York City borough of the Bronx, the son of Anne Romero (Dvorsky) and George Romero, a commercial artist.